

A whole room is devoted to representations of the Minotaur, a mythological creature that Picasso strongly identified with, and it is within this mythic setting that Dora Maar is first seen in a graceful, bird-like form.
And it's the portraits of Maar that represent the real heart of this show. They are striking in their use of media (photographs, paintings, etchings) and also in the various moods that Maar is portrayed in. I found the use of contrasting colours in the paintings especially inspiring.
One fascinating idea was that of Maar and Picasso's obsession with sleep-watching and documentation thereof - this series is at once tender and funny.
Hightail it down to NGV International to catch the last few weeks.
2 comments:
hightail it indeed ...!
i love the way you've written this up - are there any art review websites out there? you definitely shouldn't restrict this piece to your blog!
Yup! I agree, Another great post!
I remember reading Picasso's biography a couple of years ago and was struck by how prolific he was as a painter and impudent he was as a person (more like Rick with a silent 'P'). Should also remember to pass on Dora Maar with & without Picasso next time - you get to appreciate more of her work.
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